{"title":"Entire Catalogue","description":"","products":[{"product_id":"mulch-two","title":"MULCH - TWO","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eI learned that it’s okay to be dumb\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eso long as you stand for nothing\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ewhich is why I reckon Home and Away\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eis better now than it’s ever been\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMULCH “TWO” is a new collection from Perth based poet Theo.\u003c\/p\u003e\n\u003cp\u003eMont Publishing House presents the second edition of this absurd and brilliant work. \u003c\/p\u003e\n\u003cp\u003eFrom the author: “Mulch is a cry for help and attention from a sad and professionally unfulfilled man.”\u003c\/p\u003e\n\u003cp\u003e100 copies only, hand numbered and stamped.\u003c\/p\u003e\n\u003cp\u003e72 pages A5 saddle stitched card cover. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e@mulch_magazine\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\" itemprop=\"description\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Prop Records","offers":[{"title":"Default Title","offer_id":42652107047152,"sku":"","price":15.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/products\/image_1024x1024_2x_4b791c8f-62db-4a14-b7fc-5d42cebc3553.jpg?v=1649209724"},{"product_id":"mont-icons-dmx","title":"Mont Icons - \"DMX\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e“X doesn’t rap, he preaches sermons for broken people from broken places.”\u003c\/h4\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eFrom \u003cem\u003eA howling Prayer: Ode to DMX\u003c\/em\u003e by Mahmood Fazal. \u003c\/h4\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eA scrapbook of lyrics, photos and art contributed to MONT FC anonymously by worldwide obsessives.\u003c\/h4\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eIncludes an essay by Mahmood Fazal.\u003c\/h4\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eLimited to 100 copies, hand numbered and stamped.\u003c\/h4\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\" itemprop=\"description\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MONT PUBLISHING HOUSE","offers":[{"title":"Default Title","offer_id":42652107899120,"sku":"","price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/products\/image_1024x1024_2x_87b68dbe-873f-4840-b0b3-222e2566f67a.jpg?v=1649209747"},{"product_id":"life-stinks-i-like-the-kinks-4","title":"Life Stinks I Like The Kinks - #4","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFeatures: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWRITING ON THE KINKS, DRUNKENNESS AND CRUELTY.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":42652121497840,"sku":"2","price":5.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/products\/lifestinks4_web.jpg?v=1649209997"},{"product_id":"distort-54","title":"Distort Cleveland","description":"\u003cp\u003e\u003cstrong\u003eDistort #54\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cdiv\u003eThis issue of Distort is my final word on Cleveland and is in credit to A. Savage, who contributed a recent interview with Craig Bell, who was a member of The Mirrors and Rocket From The Tombs and X_X.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eChristina Pap provided fliers and a primo photo.\u003cbr\u003e\u003cbr\u003eThe cover artwork of East 1999 Eternal by Jessie Rose (JR) Streker.\u003cbr\u003e\u003cbr\u003eAll other material is from the first two issues of Distort Cleveland, or rinsed from many a zine or flier collection across the world.\u003cbr\u003e\u003cbr\u003eThanks to Johan Kugelberg2 who allowed me to reproduce some of the material for his upcoming book on Cleveland youtube star cakeboi.\u003cbr\u003e\u003cbr\u003e116 PAGES, A5.\u003c\/p\u003e\n\u003cdiv class=\"shopify-section\" id=\"shopify-section-product-template\"\u003e\n\u003cdiv data-enable-history-state=\"true\" data-section-type=\"product\" data-section-id=\"product-template\" id=\"ProductSection-product-template\" class=\"product-template__container page-width\"\u003e\n\u003cdiv class=\"grid product-single\"\u003e\n\u003cdiv class=\"grid__item medium-up--one-half\"\u003e\n\u003cdiv class=\"product-single__meta\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":42652123431152,"sku":"","price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/products\/image_24d09dbd-104c-406e-b3f0-d75e7f904b9d.jpg?v=1649210028"},{"product_id":"total-control-lyric-zine","title":"TOTAL CONTROL - LYRIC BOOK","description":"\u003cp\u003eLast copies!\u003c\/p\u003e\n\u003cp\u003eThis is a collection of\u003cbr\u003eT\u003cbr\u003eo\u003cbr\u003et\u003cbr\u003ea\u003cbr\u003el\u003cbr\u003eC\u003cbr\u003eo\u003cbr\u003en\u003cbr\u003et\u003cbr\u003er\u003cbr\u003eo\u003cbr\u003el\u003cbr\u003elyrics from the last decade.\u003cbr\u003eThis booklet was\u003cbr\u003eprinted for the\u003cbr\u003eT\u003cbr\u003eo\u003cbr\u003et\u003cbr\u003ea\u003cbr\u003el\u003cbr\u003eC\u003cbr\u003eo\u003cbr\u003en\u003cbr\u003et\u003cbr\u003er\u003cbr\u003eo\u003cbr\u003el\u003cbr\u003eshow with\u003cbr\u003eD\u003cbr\u003eA\u003cbr\u003eF\u003cbr\u003ein M---------- and our tour of Vietnam and Japan in Nov \/ Dec 2019.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFirst edition of 200 copies.\u003c\/p\u003e\n\u003cp\u003eSpecial thanks to Wei Huang for cover art.\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":42652123594992,"sku":"10","price":20.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/products\/TC.jpg?v=1649210034"},{"product_id":"distort-issue-58-zine","title":"Distort #58","description":"\u003cp\u003eDistort #58 was published in the Spring 2021 in the long journey to the end of lockdown.\u003c\/p\u003e\n\u003cp\u003eThis issue of Distort is about class warfare and cult hardcore. I reached out to some bands to ask \u003cem\u003eWHAT IS REAL\u003c\/em\u003e and \u003cem\u003eWHO IS FAKE\u003cstrong\u003e. \u003c\/strong\u003e\u003c\/em\u003eThese are the sounds sorting me out through this extended lockdown. The internet does not exist in the hardcore of the future:\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003eCLASS WAR\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eBryony Beynon wrote this piece about Ian Bone and the origins of Class War in the UK. \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003ePROSTATE\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe Prostate \u003cem\u003eFuneral Politics\u003c\/em\u003e cassette was one of the highlights of 2020 hardcore: terminal hatred, white hot guitar squall, dim wit agro chanting backed by a hectos drum machine, like Mark N punching on with a punk band, like Jezus and the Gospelfuckers stayed around long enough to get influenced from gabber.\u003c\/div\u003e\n\u003cdiv\u003eGuffo is the individual responsible for recording and releasing this hate noise on their Miracle Cortex label. I hit them up for some insight into hardcore 2021. \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cem\u003ePERSPEX\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e Sydney’s Perspex deliver a harsh belting on their new 7”. Vocalist Toto was kind enough to shine a little light into the mysterious corners of the Perspex mind.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cem\u003eOILY BOYS\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003eOily Boys \u003cem\u003eCro Memory Grin\u003c\/em\u003e is a masterwork of unholy Sydney hardcore that was perfectly timed to induce the global comedown of last year. Pure aggression, ecstasy fever. Unhinged Broken Minds. Urban Base Mentality. I hit up vocalist, lyricist and torturer of brass winds; Drew Bennett.        \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cem\u003eSAM RYSER\u003c\/em\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eSam Ryser’s illustrations have helped define the style of modern New York punk and bad trip hardcore, gracing countless fliers, zines, books and records. His bands are Crazy Spirit and Murderer, and both are entirely worth your attention.\u003cbr\u003e Sam recently started a project drawing freehand t-shirts for freaks who message him their favourite band and song. I called Sam last week to ask him about the Bathory shirt, the impromptu 2020 Crazy Spirit reunion and the Murderer show in London at the start of the pandemic.\n\u003cp\u003eCover artwork by Renee Jaeger.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"shopify-section\" id=\"shopify-section-product-template\"\u003e\n\u003cdiv data-enable-history-state=\"true\" data-section-type=\"product\" data-section-id=\"product-template\" id=\"ProductSection-product-template\" class=\"product-template__container page-width\"\u003e\n\u003cdiv class=\"grid product-single\"\u003e\n\u003cdiv class=\"grid__item medium-up--one-half\"\u003e\n\u003cdiv class=\"product-single__meta\"\u003e\n\u003cdiv class=\"product-single__description rte\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":42652128575728,"sku":"","price":10.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/products\/image_a88ce602-de06-45d5-bf50-136d685c512f.jpg?v=1649210070"},{"product_id":"mahmood-fazal-daniel-stewart-19-20-visions-book","title":"Mahmood Fazal \u0026 DX - 19\/20 VISIONS","description":"\u003cp\u003e 19\/20 Visions is a collection of photos taken by MF and DX over 2019 and 2020.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLimited to 50 copies, hand numbered and stamped.\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; 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I: a book for everyone\u003cbr\u003eISBN: 978-0-6486054-0-9\u003cbr\u003ethird PDF edition \u003cbr\u003efirst edition february 2022\u003cbr\u003ethis edition november 2023\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003eSales of this PDF edition will go towards publishing an e-book and physical real world book.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePDF will be emailed to you so please give email address at checkout!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 id=\"yui_3_17_2_1_1673424324829_463\" data-mce-fragment=\"1\"\u003emongrel matter delivers an eclectic collection in aesthetic education. \u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eaesthetic literacy\u003c\/em\u003e is an experiment in philosophy of culture, a book-exercise which has taken years to realise, turning into a maze wandering through three volumes, free-styled by one hundred and fifty authors.             \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003ethe ample cultural potential of aesthetics is inchoate, as things stand, while the sizable body of aesthetic studies enjoys sparse influence on school, tertiary, street, domestic and other areas of critical education; one is likely to learn about aesthetics at college or university, in a closed room, and not thanks to their parents, siblings, friends and lovers.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e mindful of such barriers and hierarchies, we offer to everyone this demonstrous book of searches for meaning in the most natural, river-like dimension of experience, carrying you away to familiar and unknown shallows and depths. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003cem data-mce-fragment=\"1\"\u003eaesthetic literacy\u003c\/em\u003e recognises no writing style as superior to another, be it a dialogue beside a comic, or a rhyme by a mural: why would anyone discriminate against an aphorism next to an essay, if the meanings and feelings they shape are like figments of gold? \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e our book is authored by professors, near acclaimed and aspiring writers, journalists and storytellers, artists and aliases, and those who will not write and create again. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e aesthetic education is your right, reader, you shall be guided across the everyday domains of arts and politics, city and home, bodies in cosmos, through monolithic, gone-by and oppressed cultures, to learn that aesthetics is a part and parcel of our lives and future.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection data-test=\"page-section\" data-section-theme=\"\" class=\"page-section\n    \n      gallery-section\n      full-bleed-section\n    \n    background-width--full-bleed\n    \n      section-height--medium\n    \n    \n      content-width--wide\n    \n    horizontal-alignment--center\n    vertical-alignment--middle\" data-section-id=\"63be5837fe4f556d3a548fdf\" data-controller=\"SectionWrapperController\" data-current-styles='{\n\"backgroundWidth\": \"background-width--full-bleed\",\n\"imageOverlayOpacity\": 0.15,\n\"sectionHeight\": \"section-height--medium\",\n\"horizontalAlignment\": \"horizontal-alignment--center\",\n\"verticalAlignment\": \"vertical-alignment--middle\",\n\"contentWidth\": \"content-width--wide\",\n\"sectionAnimation\": \"none\",\n\"backgroundMode\": \"image\",\n\"backgroundImage\": null\n}' data-current-context='{\n\"video\": {\n\"playbackSpeed\": 0.5,\n\"filter\": 1,\n\"filterStrength\": 0,\n\"zoom\": 0\n},\n\"backgroundImageId\": null,\n\"backgroundMediaEffect\": null,\n\"typeName\": \"page\"\n}' data-animation=\"none\" data-json-schema-section=\"\" data-controllers-bound=\"SectionWrapperController\" data-active=\"true\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"section-border\" data-mce-fragment=\"1\"\u003eFor more information on contributors please see \u003ca href=\"http:\/\/mongrelmatter.com\" target=\"_blank\"\u003emongrelmatter.com\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Distort Magazine","offers":[{"title":"$0.00","offer_id":43768884986096,"sku":"","price":0.0,"currency_code":"AUD","in_stock":false},{"title":"$10","offer_id":43768885018864,"sku":"","price":10.0,"currency_code":"AUD","in_stock":true},{"title":"$20","offer_id":43768885051632,"sku":"","price":20.0,"currency_code":"AUD","in_stock":true},{"title":"$50","offer_id":43768885084400,"sku":"","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/products\/ScreenShot2023-01-11at7.18.09pm.png?v=1673425231"},{"product_id":"aesthetic-literacy-volume-ii","title":"Aesthetic Literacy Volume II","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003csection id=\"yui_3_17_2_1_1673424324829_458\" data-active=\"true\" data-controllers-bound=\"SectionWrapperController\" data-fluid-engine-section=\"\" data-animation=\"none\" data-current-context='{\n\"video\": {\n\"playbackSpeed\": 0.5,\n\"filter\": 1,\n\"filterStrength\": 0,\n\"zoom\": 0,\n\"videoSourceProvider\": \"none\"\n},\n\"backgroundImageId\": null,\n\"backgroundMediaEffect\": null,\n\"typeName\": \"page\"\n}' data-current-styles='{\n\"imageOverlayOpacity\": 0.15,\n\"backgroundWidth\": \"background-width--full-bleed\",\n\"sectionHeight\": \"section-height--medium\",\n\"horizontalAlignment\": \"horizontal-alignment--center\",\n\"verticalAlignment\": \"vertical-alignment--middle\",\n\"contentWidth\": \"content-width--wide\",\n\"customContentWidth\": 50,\n\"sectionAnimation\": \"none\",\n\"backgroundMode\": \"image\"\n}' data-controller=\"SectionWrapperController\" data-section-id=\"63be5837fe4f556d3a548fde\" class=\"page-section\n    \n      full-bleed-section\n      layout-engine-section\n    \n    background-width--full-bleed\n    \n      section-height--medium\n    \n    \n      content-width--wide\n    \n    horizontal-alignment--center\n    vertical-alignment--middle\" data-section-theme=\"\" data-test=\"page-section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1673424324829_457\" class=\"content-wrapper\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1673424324829_456\" class=\"content\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1673424324829_455\" data-fluid-engine=\"true\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1673424324829_454\" class=\"fluid-engine fe-63be5837fe4f556d3a548fdd\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1673424324829_453\" class=\"fe-block fe-block-b1073816328156be5cb7\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"block-b1073816328156be5cb7\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1673424324829_460\" class=\"sqs-block-content\" data-mce-fragment=\"1\"\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eAesthetic Literacy Volume II\u003cbr\u003eISBN: 978-0-6486054-1-6\u003cbr\u003esecond PDF edition\u003cbr\u003efirst published january 2023\u003cbr\u003ethis edition november 2023\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003eSales of this PDF edition will go towards publishing an e-book and physical real world book.\u003c\/p\u003e\n\u003cp\u003e* PDF will be emailed to you so please give email address at checkout! *\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch4 id=\"yui_3_17_2_1_1673424324829_463\" data-mce-fragment=\"1\"\u003emongrel matter delivers an eclectic collection in aesthetic education. \u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eaesthetic literacy\u003c\/em\u003e is an experiment in philosophy of culture, a book-exercise which has taken years to realise, turning into a maze wandering through three volumes, free-styled by one hundred and fifty authors.             \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eour book is authored by professors, near acclaimed and aspiring writers, journalists and storytellers, artists and aliases, and those who will not write and create again. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eaesthetic education is your right, reader, you shall be guided across the everyday domains of arts and politics, city and home, bodies in cosmos, through monolithic, gone-by and oppressed cultures, to learn that aesthetics is a part and parcel of our lives and future.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eII. 1 Socrates, Inc. (Part 2)\u003c\/strong\u003e by Lycinus Secundus \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 2 Aesthetics is Everywhere\u003c\/strong\u003e by Yuriko Saito\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 3 A Defence of the Tag\u003c\/strong\u003e by Philip Ivanov\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 4 Aesthetic Practices\u003c\/strong\u003e by Pauline von Bonsdorff\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 5 A Trip to the Zoo (cont.)\u003c\/strong\u003e by Michel-Antoine Xhignesse\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eII. 6 Sonnet for Sport Aesthetics\u003c\/strong\u003e by Jason Holt\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 7 The Aesthetics of Coffee\u003c\/strong\u003e by Elisabetta Di Stefano\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 8 Umbrella Philosophy\u003c\/strong\u003e by Lilli Förster \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 9 Synapsing Hegel’s Philosophy of Art through the Brainbody\u003c\/strong\u003e by Rowan Bailey\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 10 Shimmer: The Aesthetics of Aboriginal Art and Animals\u003c\/strong\u003e by Darren Jorgensen\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 11 Gypsy Aesthetics\u003c\/strong\u003e by Daniel Baker\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 12 It’s Fiesta Season! (In the Philippines)\u003c\/strong\u003e by Christine Carmela R. Ramos\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 13 Aesthetic, Jamaican Popular Music, and the City\u003c\/strong\u003e by Lisa Tomlinson\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 14 Puzzling Out the Popped out Puzzle of Pop\u003c\/strong\u003e by Juraj Malíček and Martin Boszorád\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 15 The Aesthetics of Pop-Rock Music\u003c\/strong\u003e by Stefano Marino\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 16 Punk\u003c\/strong\u003e by Jesse Prinz\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 17 Musical Experiments in an Ethics of Listening\u003c\/strong\u003e by Iain Campbell\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 18 The Discourse of Jazz: An Unstable Dialectic\u003c\/strong\u003e by Robert Kraut \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 19 What’s the Deal with Standup Comedy and Philosophy?\u003c\/strong\u003e by Alan Daboin \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eII. 20 Bob Dylan and R. G. Collingwood: Remarks on Suspicions of Authorship\u003c\/strong\u003e by David Goldblatt\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 21 Aesthetics, Ontology, and a Museum Acquisition\u003c\/strong\u003e by Ivan Gaskell\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 22 Banksy at Sotheby’s: Art as Commerce and Performance\u003c\/strong\u003e by Alison Young\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 23 A Few of Them Have Perception\u003c\/strong\u003e by INO\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 24 The Contradictory Aesthetics of Sexual Literacy\u003c\/strong\u003e by Paul Reynolds\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 25 Falling in Love\u003c\/strong\u003e by John M. Carvalho \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 26 Philosophy and Dance: Can We Really Think Without a Body?\u003c\/strong\u003e by Paola Crespi\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 27 Dance, Answerability and Understanding\u003c\/strong\u003e by Graham McFee\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 28 Dancing to Art\u003c\/strong\u003e by Keith Lehrer\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 29 Aesthetic Experience as Becoming: Two Perspectives\u003c\/strong\u003e by Nicholas Davey and Linda Boļšakova\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 30 Implicit Aesthetics\u003c\/strong\u003e by Randall Auxier\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 31 Explorations in the OPEN\u003c\/strong\u003e by Sarah Cheang and Shehnaz Suterwalla\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 32 What a Desirable Aesthetic Education Looks Like\u003c\/strong\u003e by Stephen Davies\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 33 Art and Evolution\u003c\/strong\u003e by Richard D. Hickman\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 34 The Aesthetics of Green Art and Green Skills\u003c\/strong\u003e by Yrjö Sepänmaa\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 35 Ecological Aesthetics\u003c\/strong\u003e by Cheng Xiangzhan \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 36 Aesthetics and the Environmental Crisis\u003c\/strong\u003e by Emily Brady\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 37 Create Dangerously\u003c\/strong\u003e by Albert Camus\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 38 Aesthetic and Domestic Skins: In Lock-down with Samuel Beckett\u003c\/strong\u003e by Trish McTighe\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 39 Movies as Environments\u003c\/strong\u003e by Matthew Crippen and Farida Youseff\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 40 (From) Memoirs\u003c\/strong\u003e by Robert-Houdin\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eII. 41 Imagination’s Potential\u003c\/strong\u003e by Lior Levy\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 42 Intention in Photography\u003c\/strong\u003e by Ryan Wittingslow\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 43 Thinking Through Pictures\u003c\/strong\u003e by Edward Winters\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 44 Art, Architecture and Racism\u003c\/strong\u003e by Tom Spector\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eII. 45 The Aesthetics of Poverty and the Logic of Racial Capitalism\u003c\/strong\u003e by Julia McClure\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eChanges\u003c\/strong\u003e by 빅토르 최 \u0026amp; Makaveli\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection data-active=\"true\" data-controllers-bound=\"SectionWrapperController\" data-json-schema-section=\"\" data-animation=\"none\" data-current-context='{\n\"video\": {\n\"playbackSpeed\": 0.5,\n\"filter\": 1,\n\"filterStrength\": 0,\n\"zoom\": 0\n},\n\"backgroundImageId\": null,\n\"backgroundMediaEffect\": null,\n\"typeName\": \"page\"\n}' data-current-styles='{\n\"backgroundWidth\": \"background-width--full-bleed\",\n\"imageOverlayOpacity\": 0.15,\n\"sectionHeight\": \"section-height--medium\",\n\"horizontalAlignment\": \"horizontal-alignment--center\",\n\"verticalAlignment\": \"vertical-alignment--middle\",\n\"contentWidth\": \"content-width--wide\",\n\"sectionAnimation\": \"none\",\n\"backgroundMode\": \"image\",\n\"backgroundImage\": null\n}' data-controller=\"SectionWrapperController\" data-section-id=\"63be5837fe4f556d3a548fdf\" class=\"page-section\n    \n      gallery-section\n      full-bleed-section\n    \n    background-width--full-bleed\n    \n      section-height--medium\n    \n    \n      content-width--wide\n    \n    horizontal-alignment--center\n    vertical-alignment--middle\" data-section-theme=\"\" data-test=\"page-section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"section-border\" data-mce-fragment=\"1\"\u003eFor more information on contributors please see \u003ca href=\"http:\/\/mongrelmatter.com\" target=\"_blank\"\u003emongrelmatter.com\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Distort Magazine","offers":[{"title":"$0.00","offer_id":43768885182704,"sku":null,"price":0.0,"currency_code":"AUD","in_stock":true},{"title":"$10","offer_id":43768885215472,"sku":null,"price":10.0,"currency_code":"AUD","in_stock":true},{"title":"$20","offer_id":43768885248240,"sku":null,"price":20.0,"currency_code":"AUD","in_stock":true},{"title":"$50","offer_id":43768885281008,"sku":null,"price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/products\/ScreenShot2023-01-11at7.18.27pm.png?v=1673425181"},{"product_id":"distort-pdf-collection","title":"Distort Backissues PDF Collection","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAll print issues are available in high print quality PDFs for a lifetime subscription - all past and future issues. Price options below pay what you can. \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cbr\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/mulch-horse-meat-and-brick-dust-and-the-french-and-other-oddities\"\u003e\u003cstrong\u003e\u003cem\u003eDISTORT \u003c\/em\u003e\u003c\/strong\u003e#59\u003c\/a\u003e: \u003cstrong\u003eMULCH - Horse Meat and Brick Dust and The French and Other Oddities \u003c\/strong\u003eMulch \u003cem\u003e\"Horse Meat and Brick Dust and The French and Other Oddities\"\u003c\/em\u003e is out now and you will buy it. Most of the stories are about food. The rest of them are about failure and never learning from it. (PDF NOT AVAILABLE)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT \u003c\/em\u003e\u003c\/strong\u003e#58: This issue of Distort is about class warfare and cult hardcore.\u003c\/p\u003e\n\u003cp\u003eThese sounds sorted me out through this extended lockdown in Melbourne. The internet does not exist in the hardcore of the future. Bryony Beynon wrote a piece about Ian Bone and the origins of Class War in the UK. I also interviewed Prostate, Oily Boys, Perspex and Sam Ryser (Crazy Spirit \/ Dripper World).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT \u003c\/em\u003e\u003c\/strong\u003e#57: Low Life lyric booklet.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e (PDF NOT AVAILABLE)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT \u003c\/em\u003e\u003c\/strong\u003e#56: Published as Life Stinks I Like The Kinks #6. Writing on The Kinks, drunkenness and cruelty.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT \u003c\/em\u003e\u003c\/strong\u003e#55: Total Control lyric booklet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-54\"\u003e\u003cstrong\u003e\u003cem\u003eDISTORT \u003c\/em\u003e\u003c\/strong\u003e#54\u003c\/a\u003e: a celebration of Cleveland punk, hardcore, rnr and Bone Thugs written in the style of a collage of youtube comments. Utter insanity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT \u003c\/em\u003e\u003c\/strong\u003e#53: a collection of writing from 17-18, published in in other underground music magazines and books, liner notes for records, or hate mail to distant nemeses, including an introduction for B. C. Trogdon’s photo book \u003cstrong\u003e\u003cem\u003eRNR FOREVER\u003c\/em\u003e\u003c\/strong\u003e, writing on Bowie, \u003cstrong\u003eSleep\u003c\/strong\u003e live in Melbourne,  Nick Tosches, \u003cstrong\u003eDeath Side\u003c\/strong\u003e playing live in Melbourne,  \u003cstrong\u003e\u003cspan\u003eMilk Music\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e’s \u003cem\u003eMystic 100’s. \u003c\/em\u003eDistort #53 is dedicated to \u003cstrong\u003eIceage\u003c\/strong\u003e and Haruka \/ Big Love Records who invited me to do a reading in Tokyo that the writing for this issue was based on. Cover ikebana \/ photo \/ text by Haruka Hirata. Cover design \/ Rixe poster \/ drawings James Vinciguerra. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT \u003c\/em\u003e\u003c\/strong\u003e#51 and #52: released as three (?!) separate zines called \u003cstrong\u003e\u003cem\u003eDistort Melbourne, Distort Sydney\u003c\/em\u003e\u003c\/strong\u003e and \u003cstrong\u003e\u003cem\u003eDistort Queensland\u003c\/em\u003e\u003c\/strong\u003e. Melbourne was dedicated to artist and vocalist for Civic Jim McCullough. Sydney featured interviews with Orion, Royal Headache, Crime Spree, Nasho, Fatalitas, Bb \u0026amp; The Blips. Brisbane featured interviews with Comrad Xero, Pious Faults, Sex Drive, and an excerpt from a conversation between Lena Molnar \u0026amp; Andrew Mclennan.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT \u003c\/em\u003e\u003c\/strong\u003e#49 and #50\u003cem\u003e: Puce Mary’s first two albums Success and Persona (originally released on Posh Isolation). Mastered very loud \u0026amp; dubbed at Trapdoor Tapes and released by Distort for the Australian tour, with full colour card inlay.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #48.5: This half sized issue of Distort is intended as a program guide for Al Montfort’s live debut as Snake at the Sydney Opera House and for Distort subscribers. Limited copies available.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #48: A tribute to Al Montfort, Snake, who has spent the last decade playing in some of Melbourne's most active underground bands - Straightjacket Nation, The UV Race, Total Control, Dick Diver, East Link and Lower Plenty.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #47.5 \u003cstrong\u003eGAUD\u003c\/strong\u003e \u003cem\u003eGP\u003c\/em\u003e CS\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #47: Interviews with Brando's Island, Justin K Fuller and Moon Rituals, a piece by Jess Johnson who illustrated the art on the cover, a piece by Jesse Thomas about the YDI record Black Dust, and some writing on choice modern psychedelic, hardcore and psychotic electronic music: Glue, Blotter, Puce Mary, Culo, Long Knife, Perspex Flesh, Martyr Privates, Goosebumps.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #46.5 \u003cstrong\u003eCONTOUR\u003c\/strong\u003e \u003cem\u003eYear of the Hunter\u003c\/em\u003e  CS\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #46: Tribute to Crisis. Featuring an extract from the rewritten Crisis chapter from Death In June book Misery and Purity, and several old fanzine cuttings of reviews and interviews.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #45 - Dribble 7\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #44 - Interviews and conversations with Dribble \/ Gutter Gods, Jon Roffe, HTRK, Constant Mongrel, Loke Rahbek, Ray Brassier and Jock Club.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #43 - Interviews and conversations with Dribble \/ Gutter Gods, Lakes, Puce Mary, Oily Boys, Low Life, Vanessa Amara, Lucy Cliche, Prolife and author S.T. Lore.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #42 - Features interviews with Omegas, The Throb, Beastianity, Red Red Krovvy, Drew Gates and NS Mayhem. Writing on E.M. Cioran, Justin Fuller, Oily Boys, Wet Cloth, Soma Coma, Hyperspace Vision, Croation Amor, LR, X-TG \/ Throbbing Gristle, Lakes, The Clean, Constant Mongrel, U202, Destruction Unit.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #41 - Featuring interviews with The Hunches, Night Prowler and Aaron Aspinwall. Writing on Harry Crews, Repairs, Lost Domain, Waste Management, Factorymen, Jackman, Harald Grosskopf, Whores, Inservibles, Vile Gash, Schizophasia, Bits of Shit, Salvation, No Balls.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #40 - Grabbies live 7\" reissue\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #39 - Avon Ladies 7\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #38 - Writing on Mugger \/ Ilegal \/ CCR \/ Rule of Thirds \/ Peste \/ Absurdo \/ Holy Terror (Gehenna \/ Catharsis \/ Inside Front) \/ Ausmuteants \/ Discipline Mag \/ Low Life \/ Peacebreakers\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #37 - Interviews with: Eddy Current Suppression Ring \/ Brainwashed Youth \/ Lakes \/ Bloodclot Faggots \/ the Inmates \/ Stab \/ Negative Guest List Writing on: The Stains \/ the Kinks \/ Folded Shirt \/ Iron Age \/ Degreaser \/ Kriegshog \/ Artificial Peace\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #36 - Interviews with: Mike Rep \/ Billy Bao \/ Greg Lowery Experience \/ Avon Ladies \/ Boston Strangler \/ Crazy Spirit \/ Negative Guest List \/ Bed Wetting Bad Boys Writing on: Human Mess \/ Antidote \/ Throbbing Gristle \/ Pushead \/ Puffy Areolas \/ Rival Mob \/ Gehenna \/ Naked On The Vague \/ Out Cold \/ Double Negative \/ The Zingers \/ Folded Shirt \/ FNU Ronnies \/ Gary War \/ Sixx \/ h100's\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #35 - Insurgents 7\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #34 - UV Race pornography\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #32 \u0026amp; 33 - DISTORT retrospective\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #31 - Interview with Iron Curtain, Poikkeus \/ writing on Flesh World, Inmates, FU's, Black Flag, Condominium, Crazy Spirit, Nightprowler, Waste Management, Sweet Tooth, Royal Headache, William S Burroughs, Dennis Hopper, Siltbreeze, Pisschrist\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #30 - Eddy Current Suppression Ring 7\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #29 - split with Counterfeit Garbage\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #28 - Interviews with Royal Headache, Lou Barlow, Born Bad, Scarcity Of Tanks, Criminal Damage, Video Disease, No Tolerance, Rival Mob, Home Blitz\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #27 - All Foreign Junk (MRR columns)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #26 - Interview with Rikk Agnew (re: All By Myself)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #25 -Extortion \/ Jed Whitey 7\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #24 - SKRAPYARD\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #23 - Interviews with Waste Management, Watery Love, Wasted Time \/ writing on Straightjacket Nation tour of SE Asia (Indo, Malaysia, Singapore)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #22 - Writing on the Christian hardcore of Dry Rot \/ loads of reviews\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #21 - Interviews with Sex\/Vid, Shock Values (Split with RATCHARGE fanzine)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #20 - Flyin' Tricechos 7\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #19 - Interviews with Lebenden Toten, Blank Stare, Homosexual Tourists, Napalm Hearts \/ a Hardcore 2008 dicksuck \/ RIP Ron Asheton and Lux Interior\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #18 - Interviews with Condominium, Brain Handle \/ Straightjacket Nation US Tour Diary\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #17 - Interviews with Gag Reflex, Homostupids, Puncture Wound, Darvocets\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #16 - Interview with Fucked Up \/ Writing on Clockcleaner, Draft Dodger, Poison Idea lyrics\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #15 - Sex\/Vid, Voorhees, Smash N Grab, Disclose \/ GISM collector scum guide by Spider\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #14 - Cold Sweat \/ Subversion \/ The State \/ Distroy \/ bullshit on Black Flag\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #13 - Extortion \/ The Mormons \/ Bill Bondsmen \/ Voices Wake Us \/ Cardiac Arrest \/ Out Cold\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #12 - Annihilation Time \/ Formaldehyde Junkies \/ World Burns To Death \/ Pisschrist tour photo diary\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #11 - Masstrauma \/ Regulations \/ Thought Criminals \/ writing on 60's punk, Warning Fanzine, Peter Laughner\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #10 - Interview with Luke Dolan re: Arms Reach \/ writing on Schism Fanzine and racial politics and hardcore.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #9 - Interview with Chris Colohan re: Left For Dead \/ Japanese hardcore rumourmill \/ writing on Disclose, Severed Head of State, Upstab, Urban Blight\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #8 - Interview with Chris Erba re: h100's, The Ruiners and Upstab\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #7 - INTEGRITY, CLEVELAND HARDCORE\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"$33","offer_id":45323682808048,"sku":"","price":33.0,"currency_code":"AUD","in_stock":true},{"title":"$50","offer_id":44166487113968,"sku":"","price":50.0,"currency_code":"AUD","in_stock":true},{"title":"$99","offer_id":44166487146736,"sku":null,"price":99.0,"currency_code":"AUD","in_stock":true},{"title":"$123","offer_id":44166487179504,"sku":null,"price":123.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/nohippies.jpg?v=1690366393"},{"product_id":"distort-7","title":"Distort #7","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e #7 (2005) \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntegrity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe first full length issue of \u003cstrong\u003e\u003cem\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e included an interview with \u003cstrong\u003eIntegrity\u003c\/strong\u003e guitarman Aaron Melnick\u003cstrong\u003e. \u003c\/strong\u003eDo you hear \u003cstrong\u003eIntegrity\u003c\/strong\u003e? Cleveland hardcore band from the late 80’s, started as straight edge thug hardcore and evolved into something strange and unprecedented, absorbing interests in Gnosticism, terrorism and heavy metal. Their mid 90’s records are exceptional.\u003c\/p\u003e\n\u003cp\u003eI got in contact with the original \u003cstrong\u003eIntegrity\u003c\/strong\u003e guitarist and song writer, Aaron Melnick, to get a history of the band from before the reunion, to counter herdcore \u003cstrong\u003eIntegrity\u003c\/strong\u003e. Aaron Melnick’s style defined the band at their peak, and the work he did following leaving \u003cstrong\u003eIntegrity\u003c\/strong\u003e with \u003cstrong\u003eInmates\u003c\/strong\u003e, \u003cstrong\u003eIn Cold Blood\u003c\/strong\u003e and \u003cstrong\u003eBrainwashed Youth\u003c\/strong\u003e are recurrent corruptions. Particularly \u003cstrong\u003eInmates\u003c\/strong\u003e – this band above most anything captured my imagination at the time of this issue of \u003cstrong\u003e\u003cem\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntegrity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eResponse from Dwid\u003c\/p\u003e\n\u003cp\u003eI posted a polemic against nu-\u003cstrong\u003eIntegrity\u003c\/strong\u003e in some obscure corner of the internet. Dwid sent me an email expressing his feelings on my diatribe. I printed an extract in \u003cstrong\u003e\u003cem\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eDwid was a brutal shit talker and brilliant troll of the placid 90’s hardcore scene, and the fact he was ripping off a bunch of naïve cows with his substandard reunion records doesn’t bother me at all today. In fact, compared with much of the time and much that has come since, 2005 Integrity doesn’t sound all that bad.\u003c\/p\u003e\n\u003cp\u003eI come across as an uptight pedant in much of these early issues… it’s mortifying… my heart in right place, I was feeling very strong, much passion… but maybe you could say… uptight and serious… a little on the nose…\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntegrity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePropaganda by Juz D\u003c\/p\u003e\n\u003cp\u003eJuz worked at the youth centre in Wollongong and I got to know him when I spent my afterschool hours making propaganda for my hardcore band, called \u003cstrong\u003eXThe PactX\u003c\/strong\u003e. He was a mentor at a time when I was adjusting to life outside the nest. He offered a perspective of apocalyptic holy terror on my teenage atheism. \u003cstrong\u003eIntegrity\u003c\/strong\u003e was the soundtrack to our time together.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJuz writes acerbic poetry full of revenge, much based in his experience as a youth worker providing support to the most vulnerable. The attempt to reconcile a Loving Creator with child abuse rings that operated in 1990’s Wollongong was a trial that Juz and I discussed for endless hours. At the point these conversations evolved into the dangerous territory of vigilante justice he was a valuable spiritual mentor. Years later, when I asked him to write something to accompany the interview with Aaron Melnick, he honoured me with this contribution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbraxas Annihilation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis piece of writing about \u003cstrong\u003eIntegrity\u003c\/strong\u003e and the gnostic god Abraxas was influenced heavily by reading Herman Hesse’s \u003cem\u003eDemien\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Wit and Wisdom of Anton Szandor Lavey\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2005 would have been about the last time I read the Satanic Bible and any Satanic Church propaganda – I was charmed by the hustle and fascinated by the cult. The taste soured. I associate Lavey’s Satanism less with some underground cabal of anti-Christ Mansonite terrorists and more with narcissistic war pigs like Obama that send drones to obliterate children. Satanism is a good racket, but it’s not nearly as good a racket as Christianity, which in my view makes it far less compelling.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44180102283504,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort7.jpg?v=1690438562"},{"product_id":"distort-8","title":"Distort #8","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e #8 (2005) \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eh100’s \u003c\/strong\u003eInterview with Chris Erba\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e#8 featured an interview with Chris Erba about his band the \u003cstrong data-mce-fragment=\"1\"\u003eh100’s\u003c\/strong\u003e. Are you \u003cstrong data-mce-fragment=\"1\"\u003eh100’s\u003c\/strong\u003e aware? This band from Cleveland had broken up over a decade before \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e, one of the first bands that \u003cstrong data-mce-fragment=\"1\"\u003eStraightjacket\u003c\/strong\u003e agreed upon, a band that expressed better than anything happening at the time all of the glorious energy of nihilistic hardcore.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eh100’s were a band I felt could break the spell of herdcore, the dull, placid A--------n nicecore scene that mirrored the droll, flaccid mass media and political landscape… a band that could inspire hatred, fear and turmoil in a society spellbound by fake stability… a society that elevates clowns…\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTop Ten Records \u003c\/strong\u003eBy Mike Haliuchuk\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMike is the guitarist, songwriter and conceptual apparatus behind Canadian prog hardcore band \u003cstrong data-mce-fragment=\"1\"\u003eFucked Up\u003c\/strong\u003e, and his hardcore mag \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBreakout\u003c\/em\u003e\u003c\/strong\u003e was a big influence on the early issues of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e. 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JEZUS SAVES.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44181285765360,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort8.jpg?v=1690522965"},{"product_id":"distort-9","title":"Distort #9","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e #9 (2005) Interview with Chris Colohan re: Left For Dead \/ Japanese hardcore rumourmill \/ writing on Disclose, Severed Head of State, Upstab, Urban Blight\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeft For Dead \u003c\/strong\u003eInterview with Chris Colohan\u003c\/p\u003e\n\u003cp\u003e#9 featured an interview with \u003cstrong\u003eLeft For Dead\u003c\/strong\u003e. Is this band familiar, this Left For Dead band? You hear them before? 90’s hardcore from a country north of the USA, contemporaries of \u003cstrong\u003eh100’s\u003c\/strong\u003e, similar outlook, bleak sentiment. In 2005, the influence of \u003cstrong\u003eLeft For Dead\u003c\/strong\u003e on hardcore in Australia was very real and I wanted to pay tribute to this.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJapanese Hardcore \u003c\/strong\u003eBy Spider Death\u003c\/p\u003e\n\u003cp\u003eSpider is an old friend from Sydney. He wrote this about Japanese hardcore for \u003cstrong\u003e\u003cem\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e when he’d started playing music again after a long hiatus from punk. \u003c\/p\u003e\n\u003cp\u003eMore recently, Mahmood Fazal and I interviewed Spider for a Mont Icons podcast, reflecting back on our childhood together in Sydney’s punk scene of the late 90’s.\u003c\/p\u003e\n\u003cp\u003eHere’s an extract:\u003c\/p\u003e\n\u003cp\u003eDX: how me and Spider first became mates was, I found a zine that he did at a shop in Sydney. And I got at home and I was just like, I didn't know what your inspirations or motivations were. But it was my first exposure to like, kind of the evil side of crust. You know, this kind of that scary side of like punk and I wrote you a letter.\u003c\/p\u003e\n\u003cp\u003eS: Yeah.\u003c\/p\u003e\n\u003cp\u003eDX: And we started corresponding like back and forth. So whenever I saw Spider it shows like we'd start talking and we were coming from like, different areas of punk.\u003c\/p\u003e\n\u003cp\u003eS: Definitely.\u003c\/p\u003e\n\u003cp\u003eDX: I was definitely from the more kind of the sober, disciplined hardcore mentality. And, but we went to the same shows because that's what punk was in Sydney, like you'd you'd always just go watch bands that you'd have like, like, street punk bands, playing with like, chaos punk bands, playing with straightedge bands, it was the way that it worked. And we were attracted to definitely mutually attracted to kind of mixing with as many different people as possible. And we were having like a kind of discussion that I couldn't have elsewhere, like with other punks. We, we, we've been mates ever since. Spider was also one of the first people that introduced me to GISM and it wasn't even directly it was just through his fascination. That kind of myth building that you were doing was really like effective. You know, you're you're one of the early champions of this band, and I heard I heard it so out of nowhere, and it terrified me.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44181287534832,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort9.jpg?v=1690523329"},{"product_id":"distort-10","title":"Distort #10","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #10 - Interview with Luke Dolan re: Arms Reach \/ writing on Schism Fanzine and racial politics and hardcore.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArms Reach \u003c\/strong\u003eInterview with Luke “Crue” Dolan\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArms Reach\u003c\/strong\u003e had a huge impact on Australian hardcore in the late 90’s. When I was 15 years old, they were the best band I’d ever seen. As I write this in 2022, I am confident that I haven’t listened to them once since I completed this issue. Such is the quality of their output, and my own highly refined palate!\u003c\/p\u003e\n\u003cp\u003eThis said, I want to testify, they remain one of the best hardcore bands I’ve ever seen. Their crowd were fanatical: mobbing, kicking, punching, fighting to get out, screaming along to lyrics about spitting on the Australian flag or murdering rapists.\u003c\/p\u003e\n\u003cp\u003eThe band was a weird mix of surfie deros and hardcore jocks and they played almost every weekend for a couple of years in Newcastle, Sydney and Wollongong, and they were at the centre of all of the drama and conflict happening in the scene at the time.\u003c\/p\u003e\n\u003cp\u003eLuke Dolan’s evolution from straight edge jock to born against messiah was covered in this interview for #10. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44181298643184,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort_10cover.jpg?v=1690524655"},{"product_id":"distort-12","title":"Distort #11","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e #11 (2006) - Masstrauma \/ Regulations \/ Thought Criminals \/ writing on 60's punk, Warning Fanzine, Peter Laughner, Hassan-I-Sabbah\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCult Worship \u003c\/strong\u003eHassan-I-Sabbah\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e I was introduced to the Hassan-I-Sabbah via the mostly terrible \u003cem data-mce-fragment=\"1\"\u003eCities of the Red Night\u003c\/em\u003e by William S Burroughs.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Soon after reading this book, references to the assassins and the Old Man of the Mountains seemed to appear everywhere in my research into cults and brainwashing. I was interested in the effects of hardcore and punk music: rewire brains, rewrite character, escalate intensity, distort the world.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e I started to think about hardcore shows as cult rituals, and I looked to the history of ritual and ceremony for evidence of extremes people could go to when entranced and captivated.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e I have seen vicious behaviour at hardcore shows from people that were normally quite placid and calm – people have thrown chairs, glasses, mic stands, drum parts, milk crates, bricks.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e I’d experienced these ecstatic and heightened senses of hardcore and had thrown some of these things myself, had been the target of objects, fists and feet. My face is full of scars, most of my teeth are chipped. Spill blood without reason.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMasstrauma\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMasstrauma\u003c\/strong\u003e were one of the few Australian bands that \u003cstrong data-mce-fragment=\"1\"\u003eStraightjacket Nation\u003c\/strong\u003e truly vibed on at this stage. Did you ever hear of this band, Masstrauma? Hardcore band, from Sydney. We organised multiple shows and an east coast tour with them, and covered one of their songs to honour their memory on our \u003cem data-mce-fragment=\"1\"\u003eLive at PBS\u003c\/em\u003e recording.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e This interview was conducted in various fractured moments, both in person and over email. One long interview was conducted in the backyard at a party that \u003cstrong data-mce-fragment=\"1\"\u003eMasstrauma\u003c\/strong\u003e played. Right before they played, I watched a cat get run over by a car at full speed… I wrote about the vision in a sickening depth of detail that was disturbing to revisit… it was accompanied by an extensive rant against people who own pets in the city, a stance I’ve since softened… I was a pitiless savage in these days, cold of heart!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44181335343344,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort11.jpg?v=1690524895"},{"product_id":"distort-13","title":"Distort #12","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong\u003e\u003cem\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #12\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e(2006) - Annihilation Time \/ Formaldehyde Junkies \/ World Burns To Death \/ Pisschrist tour photo diary\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003eThe plague of facebook decimated print media, but on the bright side, facebook means you can reconnect with the guy in high school who used to trap cats in a pillow case and drown them in the local creek. It’s hard to read these pre-facebook issues of Distort now, but at the time the function of a mag was supposed to be something like a source of \u003cem\u003enews\u003c\/em\u003e, a function that seems so archaic and strange now!  \u003c\/p\u003e\n\u003cp\u003eFrom intro: “world war three is fucking with my head. Global warming, over population, bio-warfare, nuclear annihilation. I distract myself mulling over the idiosyncrasies of Japanese hardcore, as I lay in bed at night staring at the patterns of my ceiling, apocalypse is on my mind.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e back issues feature news about upcoming records and tours by bands that I can’t imagine listening to now without a fork to my throat.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eFormaldehyde Junkies\u003c\/strong\u003e are an exception to this – do you like this? They were from Minneapolis, very good hardcore from the time, I would definitely listen to their hit song ‘Negligent Binge of Self Destruction’ with a fork in my throat. This interview was the start of something special, as Andy later released a \u003cstrong\u003eUV Race\u003c\/strong\u003e 7”, booked a \u003cstrong\u003eUV Race\u003c\/strong\u003e tour in the US, and drove us around the country. We spent some time together, and this was the seed from which great things grew.\u003c\/p\u003e\n\u003cp\u003eThis band called \u003cstrong\u003eWorld Burns 2 Death\u003c\/strong\u003e, did you ever hear their music? Not a good band, but fascinating fodder of their time. This interview was conducted by Neil Bramley of Teargas fame, of \u003cstrong\u003e\u003cem\u003eAdult Dreams\u003c\/em\u003e\u003c\/strong\u003e zine – do you know this Neil? Brilliant wit, excellent story teller and founder of many Aus punk neologisms. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003ePisschrist\u003c\/strong\u003e were Melbourne’s hardest working and most prolific hardcore band, and Yeap’s intensity and tireless work offstage with Hardcore Victim are laudable. A particular achievement is the release of the \u003cstrong\u003eHavittajat\u003c\/strong\u003e 7”… more on that later…\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eAnnihilation Time\u003c\/strong\u003e are one of the few bands covered in these early issues of \u003cstrong\u003e\u003cem\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e I can imagine listening to when I’m too old to use a fork, if I’m cursed to stick around that long. \u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44181340881136,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort12.jpg?v=1690525289"},{"product_id":"distort-14","title":"Distort #13","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e #13 (2006) - Extortion \/ The Mormons \/ Bill Bondsmen \/ Voices Wake Us \/ Cardiac Arrest \/ Out Cold\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e, 2006. Most interviews were conducted via email, the content was flush with bands that I would never have heard of were it not for the net\/networking of email and messageboards. To compensate for this spiritual compromise, each issue was laid out in a very haphazard and ugly cut-and-paste style, printed once and one time only in runs of 100-1000 copies, and when it went out of print, it stayed out of print. Until now. \u003c\/p\u003e\n\u003cp\u003eI did not upload content to the internet, the process was entirely in denial of the looming reality of hyper-documentation, and each issue was written, edited, designed and published in bursts of fever or reckless stimulation, deadlines most often based on the next \u003cstrong\u003eStraightjacket Nation\u003c\/strong\u003e show or tour.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eVoices Wake Us\u003c\/em\u003e\u003c\/strong\u003e was a NY zine that for whatever reason charmed me at the time. Reading it now, I can see it was an introduction to many bands that I’d not heard before. The style has an overbearing pedantry on the part of the editor that hasn’t aged well. Much like this issue of \u003cstrong\u003e\u003cem\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e! I jest - this issue was a groundbreaking, world changing moment for Australian hardcore, featured reading in the Extremist Watch List.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eBill Bondsmen\u003c\/strong\u003e were a hardcore band from Detroit – I couldn’t describe them now to save my life, but I would venture a guess that they dragged some influence from the Cleveland bands down the road. I was fascinated with Detroit, and I wanted to learn more about what was happening there at the time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eThe Mormons\u003c\/strong\u003e were a Cleveland band that predated \u003cstrong\u003e9 Shocks Terror\u003c\/strong\u003e, one of the \u003cstrong\u003eStraightjacket Nation’s\u003c\/strong\u003e more obvious inspirations.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eExtortion\u003c\/strong\u003e are one of Australia’s best ever hardcore bands and this was one of 200 interviews they did in 2006 - this is well regarded as their best ever interview. \u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44181342322928,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort13.jpg?v=1690525563"},{"product_id":"distort-15","title":"Distort #14","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #14 (2007) - Cold Sweat \/ Subversion \/ The State \/ Distroy \/ bullshit on Black Flag\u003c\/p\u003e\n\u003cp\u003eAt this stage, I was starting to see patterns behind my eyelids that corresponded to figures from Greek amphoras. I would sit and listen to records before I went to bed, tapping out the beat with each of my fingers in turn against my thumb, and if the record didn’t finish on my little finger I’d play another one, sometimes sitting there for hours tapping away in compulsion, staring at my spastic hand movements as I tracked the beats of \u003cstrong\u003eGISM\u003c\/strong\u003e, thinking about AIDS and nuclear war.\u003c\/p\u003e\n\u003cp\u003eI’ve always had these absurd compulsive gestures that no doubt contributed to my attraction to and immersion into hardcore music, a music of afflicted people… a music of vitality and strength, but a music you could not say was especially “healthy”… do you know the difference between health and vitality?\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis issue contained one of many \u003cstrong\u003eBlack Flag\u003c\/strong\u003e tributes that \u003cem\u003e\u003cstrong\u003eDistort\u003c\/strong\u003e\u003c\/em\u003e hosted over the years. This band was important to me in my teenage years and somehow even more important in the early years of Straightjacket. I’d read \u003cstrong\u003e\u003cem\u003eGet In The Van\u003c\/em\u003e\u003c\/strong\u003e and listen to \u003cem\u003eDamaged\u003c\/em\u003e and \u003cem\u003eMy War\u003c\/em\u003e with a religious fervour, thinking of the excruciating shows this band had endured and their devotion to making music. Then, the band got back together in two separate lineups called \u003cstrong\u003eBlack Flag\u003c\/strong\u003e and \u003cstrong\u003eFlag\u003c\/strong\u003e, and toured somewhat simulatenously. Greg Ginn’s \u003cstrong\u003eBlack Flag\u003c\/strong\u003e released a record called \u003cem\u003eOOPS\u003c\/em\u003e or something silly, which seemed like an elaborate troll on people like me who took them seriously, when nobody else, including past and present members, gave a fuck. I had a huge tattoo on my arm of the \u003cem\u003eEverything Went Black\u003c\/em\u003e shears with a \u003cstrong\u003eBlack Flag\u003c\/strong\u003e logo underneath, and immediately when the band did this I got the bars covered into a black box. Total negation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSubversion\u003c\/strong\u003e was a Sydney hardcore band from the 90’s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe State\u003c\/strong\u003e were a hardcore band from Detroit, and their first 7” is excellent meat and potatoes hardcore. In 2007, after 25 years, the band reformed and started playing shows again and released a terrible 7”. At the time, bands like this reforming and older guys getting back into hardcore was something gratifying – I’m guessing there was something inspirational there for a young man, to see that this music wasn’t about or for young people…\u003c\/p\u003e\n\u003cp\u003eToday, I very rarely go out of my way to watch a reunion band or listen to a reunion record. I went and saw \u003cstrong\u003eCircle Jerks\u003c\/strong\u003e with an ancient Keith Morris singing and while entertaining, I have always been suspect about the magic lost when a band’s approach and interest are solely about money. You need to be an obsessive psycho to make hardcore work beyond a couple of years, and that obsession burns people out… I don’t want to see recovered burnouts doing karaoke… it isn’t about any ethos of purity, some good music and art have been made with the ambition of fame and money… but hardcore is a music that, at its best, is not about that middle class striver nerd mentality to be noticed, approved of, and financially stable.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eCold Sweat\u003c\/strong\u003e are one of the better bands featured in these early Distort. Their LP \u003cem\u003eBlinded\u003c\/em\u003e retains its mystique. Tortured hardcore.\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44181344518384,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort14.jpg?v=1690697645"},{"product_id":"distort-16","title":"Distort #15","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #15 (2008) - Sex\/Vid, Voorhees, Smash N Grab, Disclose \/ GISM collector scum guide by Spider\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184933073136,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort_15cover.jpg?v=1690850277"},{"product_id":"distort-17","title":"Distort #16","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #16 (2008) - Interview with Fucked Up \/ Writing on Clockcleaner, Draft Dodger, Poison Idea lyrics\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184935891184,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort16copy.jpg?v=1690850362"},{"product_id":"distort-18","title":"Distort #17","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #17 (2008) - Interviews with Gag Reflex, Homostupids, Puncture Wound, Darvocets\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184936415472,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort17.jpg?v=1690850416"},{"product_id":"distort-19","title":"Distort #18","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #18 (2009) - Interviews with Condominium, Brain Handle \/ Straightjacket Nation US Tour Diary\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184936677616,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort_18cover.jpg?v=1690850472"},{"product_id":"distort-20","title":"Distort #19","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #19 (2009) - Interviews with Lebenden Toten, Blank Stare, Homosexual Tourists, Napalm Hearts \/ a Hardcore 2008 dicksuck \/ RIP Ron Asheton and Lux Interior\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184937398512,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort_19cover.jpg?v=1690850532"},{"product_id":"distort-21","title":"Distort #21","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #21 (2009) - Interviews with Sex\/Vid, Shock Values (Split with RATCHARGE fanzine)\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184939462896,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort21.jpg?v=1690850595"},{"product_id":"distort-22","title":"Distort #22","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #22 (2009) - Writing on the Christian hardcore of Dry Rot \/ loads of reviews\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184941527280,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort22coverweb.jpg?v=1690850669"},{"product_id":"distort-23","title":"Distort #23","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #23 (2010) - Interviews with Waste Management, Watery Love, Wasted Time \/ writing on Straightjacket Nation tour of SE Asia (Indo, Malaysia, Singapore)\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184943657200,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort23.jpg?v=1690850723"},{"product_id":"distort-24","title":"Distort #24","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #24 (2010) – KVLT SKRAPYARD\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184943755504,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort24.jpg?v=1690850784"},{"product_id":"distort-27","title":"Distort #26","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #26 (2011) - Interview with Rikk Agnew (re: All By Myself)\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184943984880,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort26_2f17b33a-daa5-4342-908f-55176a3932c7.jpg?v=1690850833"},{"product_id":"distort-29","title":"Distort #28","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #28 (2011) - Interviews with Royal Headache, Lou Barlow, Born Bad, Scarcity Of Tanks, Criminal Damage, Video Disease, No Tolerance, Rival Mob, Home Blitz\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184944738544,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort28.jpg?v=1690850942"},{"product_id":"distort-31","title":"Distort #31","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #31 (2012) - Interview with Iron Curtain, Poikkeus \/ writing on Flesh World, Inmates, FU's, Black Flag, Condominium, Crazy Spirit, Nightprowler, Waste Management, Sweet Tooth, Royal Headache, William S Burroughs, Dennis Hopper, Siltbreeze, Pisschrist\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184945098992,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort31.jpg?v=1690851050"},{"product_id":"distort-32","title":"Distort #32","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #32 (2012) - DISTORT retrospective\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184945492208,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort32.jpg?v=1690851110"},{"product_id":"distort-33","title":"Distort #33","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #33 (2012) - DISTORT retrospective\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184945688816,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort33.jpg?v=1690851142"},{"product_id":"distort-34","title":"Distort #34","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #34 (2012) - UV Race pornography\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184945983728,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort34.jpg?v=1690851184"},{"product_id":"distort-37","title":"Distort #36","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #36 (2012) - Interviews with: Mike Rep \/ Billy Bao \/ Greg Lowery Experience \/ Avon Ladies \/ Boston Strangler \/ Crazy Spirit \/ Negative Guest List \/ Bed Wetting Bad Boys Writing on: Human Mess \/ Antidote \/ Throbbing Gristle \/ Pushead \/ Puffy Areolas \/ Rival Mob \/ Gehenna \/ Naked On The Vague \/ Out Cold \/ Double Negative \/ The Zingers \/ Folded Shirt \/ FNU Ronnies \/ Gary War \/ Sixx \/ h100's\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184946311408,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort36_f6077c2b-7198-402b-898b-ba871f3c8fd2.jpg?v=1690851230"},{"product_id":"distort-38","title":"Distort #37","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #37 (2013) - Interviews with: Eddy Current Suppression Ring \/ Brainwashed Youth \/ Lakes \/ Bloodclot Faggots \/ the Inmates \/ Stab \/ Negative Guest List Writing on: The Stains \/ the Kinks \/ Folded Shirt \/ Iron Age \/ Degreaser \/ Kriegshog \/ Artificial Peace\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184946639088,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort37.jpg?v=1690851313"},{"product_id":"distort-39","title":"Distort #38","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #38 (2013) - Writing on Mugger \/ Ilegal \/ CCR \/ Rule of Thirds \/ Peste \/ Absurdo \/ Holy Terror (Gehenna \/ Catharsis \/ Inside Front) \/ Ausmuteants \/ Discipline Mag \/ Low Life \/ Peacebreakers\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184947327216,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort38.jpg?v=1690851369"},{"product_id":"distort-41","title":"Distort #41","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #41 (2013) - Featuring interviews with The Hunches, Night Prowler and Aaron Aspinwall. Writing on Harry Crews, Repairs, Lost Domain, Waste Management, Factorymen, Jackman, Harald Grosskopf, Whores, Inservibles, Vile Gash, Schizophasia, Bits of Shit, Salvation, No Balls.\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184947687664,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort41covercopy.jpg?v=1690851464"},{"product_id":"distort-45","title":"Distort #42","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #42 (2013) - Features interviews with Omegas, The Throb, Beastianity, Red Red Krovvy, Drew Gates and NS Mayhem. Writing on E.M. Cioran, Justin Fuller, Oily Boys, Wet Cloth, Soma Coma, Hyperspace Vision, Croation Amor, LR, X-TG \/ Throbbing Gristle, Lakes, The Clean, Constant Mongrel, U202, Destruction Unit.\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184947982576,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort42cover.jpg?v=1690851530"},{"product_id":"distort-47","title":"Distort #43","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #43 (2015) - Interviews and conversations with Dribble \/ Gutter Gods, Lakes, Puce Mary, Oily Boys, Low Life, Vanessa Amara, Lucy Cliche, Prolife and author S.T. Lore.\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184948539632,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort43cover.jpg?v=1690851604"},{"product_id":"distort-48","title":"Distort #44","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #44 (2015) - Interviews and conversations with Dribble \/ Gutter Gods, Jon Roffe, HTRK, Constant Mongrel, Loke Rahbek, Ray Brassier and Jock Club.\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184949096688,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort44cover.jpg?v=1690851662"},{"product_id":"distort-49","title":"Distort #46","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #46 (2016) - Tribute to Crisis. Featuring an extract from the rewritten Crisis chapter from Death In June book Misery and Purity, and several old fanzine cuttings of reviews and interviews.\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184949227760,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distortcrisis_3a78e997-f19d-40db-9f31-501270968695.jpg?v=1690851743"},{"product_id":"distort-50","title":"Distort #47","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #47 (2017): Interviews with Brando's Island, Justin K Fuller and Moon Rituals, a piece by Jess Johnson who illustrated the art on the cover, a piece by Jesse Thomas about the YDI record Black Dust, and some writing on choice modern psychedelic, hardcore and psychotic electronic music: Glue, Blotter, Puce Mary, Culo, Long Knife, Perspex Flesh, Martyr Privates, Goosebumps.\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184949424368,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort47cover.jpg?v=1690852041"},{"product_id":"distort-51","title":"Distort #48","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #48 (2018): A tribute to Al Montfort, Snake, who has spent the last decade playing in some of Melbourne's most active underground bands - Straightjacket Nation, The UV Race, Total Control, Dick Diver, East Link and Lower Plenty.\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184951750896,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort48.jpg?v=1690852249"},{"product_id":"distort-48-5","title":"Distort #48.5","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT\u003c\/em\u003e\u003c\/strong\u003e #48.5 (2018): This half sized issue of Distort is intended as a program guide for Al Montfort’s live debut as Snake at the Sydney Opera House and for Distort subscribers.\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184952733936,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/almontycover.jpg?v=1690852325"},{"product_id":"distort-52","title":"Distort #51 \u0026 #52","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT \u003c\/em\u003e\u003c\/strong\u003e#51 and #52 (2017): released as three (?!) separate zines called \u003cstrong\u003e\u003cem\u003eDistort Melbourne, Distort Sydney\u003c\/em\u003e\u003c\/strong\u003e and \u003cstrong\u003e\u003cem\u003eDistort Queensland\u003c\/em\u003e\u003c\/strong\u003e. Melbourne was dedicated to artist and vocalist for Civic Jim McCullough. Sydney featured interviews with Orion, Royal Headache, Crime Spree, Nasho, Fatalitas, Bb \u0026amp; The Blips. Brisbane featured interviews with Comrad Xero, Pious Faults, Sex Drive, and an excerpt from a conversation between Lena Molnar \u0026amp; Andrew Mclennan.\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184952865008,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distortmelbcover.jpg?v=1690852775"},{"product_id":"distort-53","title":"Distort #53","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT \u003c\/em\u003e\u003c\/strong\u003e#53 (2018): a collection of writing from 17-18, published in in other underground music magazines and books, liner notes for records, or hate mail to distant nemeses, including an introduction for B. C. Trogdon’s photo book \u003cstrong\u003e\u003cem\u003eRNR FOREVER\u003c\/em\u003e\u003c\/strong\u003e, writing on Bowie, \u003cstrong\u003eSleep\u003c\/strong\u003e live in Melbourne,  Nick Tosches, \u003cstrong\u003eDeath Side\u003c\/strong\u003e playing live in Melbourne,  \u003cstrong\u003e\u003cspan\u003eMilk Music\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e’s \u003cem\u003eMystic 100’s. \u003c\/em\u003eDistort #53 is dedicated to \u003cstrong\u003eIceage\u003c\/strong\u003e and Haruka \/ Big Love Records who invited me to do a reading in Tokyo that the writing for this issue was based on. Cover ikebana \/ photo \/ text by Haruka Hirata. Cover design \/ Rixe poster \/ drawings James Vinciguerra.\u003c\/span\u003e\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184954700016,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distorttokyo.jpg?v=1690852890"},{"product_id":"distort-55","title":"Distort #54","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT \u003c\/em\u003e\u003c\/strong\u003e#54 (2019): a celebration of Cleveland punk, hardcore, rnr and Bone Thugs written in the style of a collage of youtube comments. 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No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT \u003c\/em\u003e\u003c\/strong\u003e#55: Total Control lyric booklet.\u003c\/p\u003e","brand":"DISTORT","offers":[{"title":"Default Title","offer_id":44184956633328,"sku":"","price":2.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/distort55cover.jpg?v=1690853121"},{"product_id":"distort-57","title":"Distort #56","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e mag started in 2003 to document kvlt hardcore and World War III. The contents of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDistort\u003c\/em\u003e\u003c\/strong\u003e have been dominated by impulse, excess, insomnia, stimulation. No editor, no proofread, no nerd.\u003c\/p\u003e\n\u003cp\u003eOut of the 2000+ pages published over the past couple of decades I am skimming the C.R.E.A.M. into an archival book.\u003c\/p\u003e\n\u003cp\u003eI'm raising funds to print this by making backissues available again via PDF.\u003c\/p\u003e\n\u003cp\u003eYou can also purchase a onetime subscription to all Distort \u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/distort-pdf-collection\"\u003ehere\u003c\/a\u003e which this issue is part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISTORT \u003c\/em\u003e\u003c\/strong\u003e#56: Published as Life Stinks I Like The Kinks #5. 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