{"product_id":"nietzsche-on-the-horse-1","title":"Nietzsche on the horse (hard copy presale)","description":"\u003csection class=\"Jgs2b9\"\u003e\n\u003cdiv class=\"WAZqE7 QfrfFD cell\"\u003e\n\u003csection class=\"Va_ZoC\"\u003e\n\u003cdiv class=\"LvOu6J\"\u003e\n\u003cdiv class=\"vaI0UH\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003csection class=\"page-section\n    \n      full-bleed-section\n      layout-engine-section\n    \n    background-width--full-bleed\n    \n      section-height--medium\n    \n    \n      content-width--wide\n    \n    horizontal-alignment--center\n    vertical-alignment--middle\" id=\"yui_3_17_2_1_1673424324829_458\"\u003e\n\u003cdiv class=\"content-wrapper\" id=\"yui_3_17_2_1_1673424324829_457\"\u003e\n\u003cdiv class=\"content\" id=\"yui_3_17_2_1_1673424324829_456\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1673424324829_455\"\u003e\n\u003cdiv class=\"fluid-engine fe-63be5837fe4f556d3a548fdd\" id=\"yui_3_17_2_1_1673424324829_454\"\u003e\n\u003cdiv class=\"fe-block fe-block-b1073816328156be5cb7\" id=\"yui_3_17_2_1_1673424324829_453\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" id=\"block-b1073816328156be5cb7\"\u003e\n\u003cdiv class=\"sqs-block-content\" id=\"yui_3_17_2_1_1673424324829_460\"\u003e\n\u003cp class=\"p1\"\u003eNietzsche on the horse\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN: 978-0-6486054-4-7\u003c\/p\u003e\n\u003cp class=\"p1\"\u003efirst PDF edition\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eseptember 2026\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ecover art by Bella Li\u003c\/p\u003e\n\u003cp class=\"p1\"\u003emongrel matter logo by Greta Balog\u003c\/p\u003e\n\u003cp class=\"p1\"\u003especial thanks to Keith Ansell-Pearson\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eall material copyright of the respective authors\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePresale - 100 copies going to print on October 15, 2026, Nietzsche's birthday\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/distortmag.myshopify.com\/products\/nietzsche-on-the-horse\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePDF version here\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePreface\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ci\u003eREADER, \u003cbr\u003ehere is our first-born Nietzsche book, \u003cbr\u003efollowing his imprint in eternity, \u003cbr\u003ethe only book for Nietzsche we can make —\u003cbr\u003eagainst any reductionist perspective devoid of artistic merit:\u003cbr\u003eeternity is simple\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e Contents\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eThus Spoke Zarathustra: Of Usurpers\u003cspan class=\"Apple-converted-space\"\u003e  \u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e     \u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003eChristos Iliopoulos\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eNietzsche and the Anthropomorphocene\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e      \u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003eAshley Woodward\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eNietzsche’s Logic of Force \u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e      \u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003eNick Crowley\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eNietzsche and the Turin Horse: Trauma, Contradiction, \u003c\/b\u003e\u003cb\u003e\u003ci\u003eRessentiment \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003eBabette Babich\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eKundera’s Nietzsche and the “Other” of Animal Vulnerability\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e    \u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003eCatherine F. Botha\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eHomeless at Home: Nietzsche and Emerson\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e \u003cbr\u003e\u003c\/b\u003eMatthew Kruger\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eFrom Speaking to Singing and Dancing At: ‘The Other Dance Song’ \u003cspan class=\"Apple-converted-space\"\u003e      \u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003ePaul van Tongeren, translated by Timon J. Beeftink\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003e“The Music Behind the Words” in Nietzsche’s \u003c\/b\u003e\u003cb\u003e\u003ci\u003eThus Spoke Zarathustra \u003cspan class=\"Apple-converted-space\"\u003e      \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003ePaul S. Loeb and David F. Tinsley\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eThe Final Dance\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003eRainer J. Hanshe\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"page-section\n    \n      gallery-section\n      full-bleed-section\n    \n    background-width--full-bleed\n    \n      section-height--medium\n    \n    \n      content-width--wide\n    \n    horizontal-alignment--center\n    vertical-alignment--middle\"\u003e\n\u003cdiv class=\"section-border\"\u003eFor more information on contributors please see \u003ca href=\"http:\/\/mongrelmatter.com\" rel=\"noopener noreferrer\" target=\"_blank\"\u003emongrelmatter.com\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Mongrel Matter","offers":[{"title":"Default Title","offer_id":50451491422448,"sku":null,"price":33.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0638\/4504\/0368\/files\/Nietzsche_front_300dpi_90dca6b4-9cda-4a48-852a-aaa83b9dd0a7.jpg?v=1789378741","url":"https:\/\/distortmag.myshopify.com\/products\/nietzsche-on-the-horse-1","provider":"Distort Book Club","version":"1.0","type":"link"}